‘The Fifth Element’ Film Review

The Fifth Element (1997) - IMDb

When I first took Film as Literature in high school, back in 2010, one of the films our teacher made us watch was Luc Besson’s The Fifth Element. While I am sure it resonated well with most of my classmates, I found it to be the most irritating, ridiculous, poorly-made film I had seen. Needless to say, I hated it with the utmost passion I had felt for any movie. For almost eleven years, I have written it off as a terrible movie that I could never bring myself to watch again. However, thanks to a good friend of mine who loves discussing movies with me (and a scratch-off list of the 100 Must-See Cult Movies), I brought myself to watch it again, with the help of my fiancee, who absolutely loves this movie more than I ever could, and a trip to her parents’ house to borrow the DVD, as to appease my friend and see what was under that opaque substance I was eager to reveal with my dime. I fully expected it to be a torturous slag of an experience with no merit, except to waste two hours of my life, what I witnessed upon this particular viewing surprised me more than any movie ever could.

As I was watching a series of 90’s science-fiction blueprints grace the screen with rapid-fire quickness, a feeling had indeed changed inside me. The dreaded disgust and annoyance that once seemed to exist no longer vacated the soul within me. Instead, what creeped in was a light of calm and contentment as I soaked in every ridiculous, goofy moment that came my way. I kept thinking that this particular feeling was only temporary, and the rotten taste would return eventually. Yet as Besson’s film was coming to an end, I had noticed that what I was feeling never left like I thought it would, then the sign became clear. Here was a movie that made such a bad impression on me as a young aspiring film critic that I dare even look its way, only for it to finally win me over with its bright visual flair and sense of humor. There was no denying it, I may have been a bit too harsh on this movie, and I knew it (I was young and cynical then).

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Alien Resurrection: The Mid-Series Finale (An Average Review)

In all seriousness, Alien: Resurrection was, I thought, the lowest I could ever feel. And then they cancelled Firefly.


Joss Whedon on SYFY Wire, 2013

It’s finally here: Spring is making its way into Summer, school is out for me and all of the other kiddos, and we have finally hit a major point in the Alien franchise. After the long wait for my trembling, tired fingers to finish with finals for yet another year of college, we can fumble our way through the mid-season finale that is Alien Resurrection. The movie isn’t quite as interesting as the first, isn’t quite as fun as the second, and is not nearly as interesting of a behind-the-scenes as the third; this fourth installment finally sets the original Ripley epic to rest. From Jean-Pierre Jeunet of The City of Lost Children and Joss Whedon of Avengers fame, comes the french proof of concept for Firefly that no one asked for. Let’s dig in.

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