When it comes to political and social issues, no one is less afraid to speak his mind than Spike Lee. As controversial as his viewpoints may be for some, it is clear that the messages he is trying to send resonate with most people, making him one of the most influential living directors. ‘Da 5 Bloods’ is his newest effort in making a statement about race in the form of four elderly war veterans who return to the jungles of Vietnam to work on some unfinished business left behind by one of their own as their journey threatens to tear them apart.
Like ‘The Addams Family’, ‘The Willoughbys’ is quirky both in style and sense of humor; taken straight from other dysfunctional families that have come before them, blended into a colorful, candy-coated, yarn-filled family-comedy-adventure that may be a bit predictable, but fun once you buy into its characters. Tim (Voice of Will Forte) is neurotic and wants the best for his family. His sister, Jane (Voice of singer Alessia Cara) is always singing the same melody and always asking the what-ifs of their situations, while both the Barnabys (Voice of Seán Cullen) are monotonously similar that it is hard to tell them apart, prompting their nanny (Voice of Maya Rudolph) to label one A and the other B. Though, what makes them all similar are their red-heads which come from a generation of Willoughbys before them.
After watching ‘Horse Girl’, there is no doubt that you will be filled with so many questions. What happened? What did it all mean? What did I get out of it? Then, you end up going on Youtube to find some analysis’s to see if anything made sense. It is clear that this is one of those independent features that makes you think in frustration, all while admiring its technique and an unhinged performance by Alison Brie.
After the first season of this, I don’t think any of you are really surprised to see that I followed up with the second season. Netflix sniped the licence on this one, so I’m a bit later to the party than I would have liked to be. In any case, I can confidently say that my review of season one, still applies to this, but I have a few additional thoughts specific to this season.
While not the biggest deal in the world, the English voice cast was different than what we had for the first season. When I learned Netflix got this one instead of Funimation, this was a concern of mine. In fact, I wasn’t even sure this second season of Takagi-san would even see a dub as a result. However, it did, and most of the voices were close to what I expected them to sound like. Some so close, I didn’t think they were even recast until I checked, granted, I did watch the first season back in 2018, so this may be more jarring if you move immediately from one to the next.
Putting that aside, I have only one minor complaint, and that’s the missed opportunity with the ending. Don’t get me wrong, the ending is great! However, earlier in the season, episode 7 to be exact, there’s a brief flash of Takagi as an adult looking back at the photo that opens the episode. Seeing that this has another manga series where, spoilers, Takagi and Nishikata work out, I thought for sure we’d see some kind of scene like this for the finale.
No such luck! Instead, it’s a cute scene where they basically start dating formally. Though, it’s still very early in their relationship, it’s exactly what most people expected. As I said, this is a minor complaint, but it’s the difference between this having been a perfect 10/10 compared to just barely missing the mark.
Normally I put the trailer here, but there aren’t really any (that are translated). Enjoy the OP instead!
If you had any reservations about starting this series at all, I can safely say I recommend it. Takagi-san is a warm show that wants to put a smile on your face. This will make for a perfect show when you want something on the lighter side to get absorbed in for awhile. The likable cast, great designs, and overall excellence of the series is sure to be a hit!
Now I’ll turn things over to you, did you find Takagi-san season 2 to be great as well? Did you notice the recasting in the dub? Let me know in the comments below! If you enjoyed this article then please consider a donation via my Ko-fi button or becoming a Patron today. As always, thanks for reading and hope to see you again here soon!
Netflix is back with another anime that I decided to give a try. This one was featured in their “documentary”, Enter the Anime, so I was already a bit weary coming into it. Cannon Busters is actually an adaptation of an American work that people have been waiting to see more of since it first began its run as a comic in 2014. A pilot for the anime would first be Kickstarted in the same year, and later released in 2016. That brings us to today, where the project finally got a proper adaptation in 2019. The only thing is, was this even worthwhile?Continue reading “Cannon Busters – It Was a Show”→
Not too terribly long ago, I reviewed the first “season” of 7 Seeds, in which I said:
I’ll save you the trouble, yes, 7 Seeds was a worse Netflix show than Hero Maskwas. That’s really saying something, and a massive disappointment because this show is based on a very well regarded manga that is extremely interesting! This adaptation does have the intrigue, but it fails on almost every level to execute on any of it.
-My 7 Seeds review
It seems that Hero Mask has returned to reclaim its rightful place as the worst “original” anime on Netflix. Guess the series was none to happy to have a rival, especially one that was so ready to out do it. Let’s get into it, this was… an experience. Continue reading “Hero Mask Part 2 – The King Returns!”→
On an endless sea of sand floats a lone island known as the Mud Whale. It’s like something out of a story book, the villagers there living peaceful lives. Chakuro is one such person, he is a young record keeper for the Mud Whale. One day, a new island floats by and Chakuro is among those who go to scout it. There he makes a startling discovery, a lone girl named Lykos. However, with her discovery, the Mud Whale would soon lose their peaceful existence.Continue reading “Children of the Whales – Another Stop on the Netflix Journey”→
Nostalgia is a precious thing for so many people, and Nickelodeon seems to know it all too well. In recent years, the family-oriented TV studio has followed suit with all the other nostalgic cash-ins, and started rebooting their entertainment for those yearning over a simpler decade when VHS tapes were in and cartoons were entertaining; ‘All That’, ‘Hey Arnold’, and now ‘Rocko’s Modern Life’ in the form of a special called ‘Static Cling’. ‘Static Cling’ is an ode to the nostalgic memories we hold dear as well as a commentary on an ever-changing world we are trying to keep up with.
Netflix released a “documentary” on August 5th, 2019 titled, Enter the Anime. The premise is simple enough, “What is anime?” and follows a newcomer to the industry, Alex Burunova, as she doesn’t proceed to do anything for approximately 50 minutes. If it had not been for this review, I would never have touched this film. Even in the first few minutes, it was so repulsive that I would have turned it off altogether. Yet here we are, as promised. Today I’ll be discussing Enter the Anime through the lens of a piece a marketing for Netflex, as it transparently seems to only exist to sell you on their shows (and it can’t even do that).
I’m going to be frank with you all. There is not a single positive thing I could say about this “documentary”. Even when it had something interesting to say, it was often cut off, impossible to decipher due to the hyperactive editing, or drowned in a sea of vapid nothingness. Just wanted to be upfront about that.
The thesis statement of this is to find out what anime is. It’s clear that the target audience is folks who have never seen an anime in their life, but it also expects the viewer to be familiar with the material as well. If I were totally new to anime, this would have turned me off to the medium entirely, and in the next few paragraphs, I’ll explain why.
First, Burunova constantly talks about how “clean” and pristine Japan is as a nation but then says that anime is made by these “deranged” individuals who are the fringe of their society. This is not only extremely offensive, and mindbogglingly baffling that this was ever released, it implies that there is this level of taboo to the medium.
She also takes every moment to be as edgy as possible. I hate the “fellow kids” kind of comments people make about things when people are genuinely trying to connect to multiple generations, but this was exactly that. There is a moment where they say that a character in Baki says, “I don’t give a fuck” and she follows that up by saying, “Unlike Baki, I do give a fuck”. Which I guess is an alright line if it weren’t ruined by things like, “The Instagram royalty of yore” or whatever that stupid line is.
Burunova is like this from minute one. She is a terrible narrator and host.
This is followed up by showing the most graphic content that Netflix anime has to offer. Seriously, nonstop. To the “documentary’s” credit, there is a very brief section on “cute culture” and how “anime is for kids”, but it comes so late in, and is so short, that it may well not even have been included.
Finally, the editing and presentation of any topic is just plain awful. It is so transparent that this is just a giant ad for Netflix anime, especially the CG shows (which is fine), that it goes as far as to undermine its entire premise in the opening minutes.
Let me explain, the first interview is with the Castlevania guy. You know, not a Japanese person or a show even made in Japan. I’m not one of those people who think anime is only something from Japan either, but this really undercut any credibility anyone might have for what’s to come, and not just for this reason.
The guy is a massive weirdo! He starts things off by telling the audience that he is a “time traveler” and wastes almost 12 minutes of the runtime talking about his DOG and Kanye West of all things. What does that have to do with anime?
Even when they do finally talk to some industry people, half of the “interviews” are just… nothing. The worst instance of this was when they left a phone call with Yoko Takahashi’s manager in the “documentary”, instead of talking about NGE (which they never even mention by name for some reason) or showing her performance beyond a few seconds. It was just bad.
Oh yeah! They even recycled footage in this 50 minute piece of garbage. Can you believe that? More than once too! There’s no substance here. One interviewee talked about how many people don’t know him because Netflix lets you skip OP’s and ED’s, but that is given like 2 seconds. Almost all of them laugh about the lack of sleep they get, as if it is some joke you need to “get” about the industry. It was frustrating to watch.
Ok, so what was the point then? Like I said, this is meant to push Netflix shows. I think that’s fine, but they don’t really show much off, and a lot of the things they chose were the edgiest and least accessible titles. Even just choosing from among their “original” properties, they really did not offer variety here. It made anime feel immature, hyper violent, and kind of obnoxious.
Furthermore, they chose almost exclusively CG shows, where much, or even all, of the product was not animated in 2D. Again, this would be fine except that just isn’t what anime is on the whole. Same can be said for the last point.
Also there was this strange focus on titles that haven’t even come out yet. Some not until 2020. This was really dumb, because when those things were stacked up alongside this train wreck, it didn’t make me want to watch them. Seriously, I have less confidence in some of these shows because they were in this “documentary”.
In a lot of ways, this would have been better as a mini series with proper time given to all its topics. The question of “what is anime?” is answered in a lot of ways: culture, food, style, etc… but ultimately settles on saying it doesn’t matter. It chooses to abandon its core premise to say “it brings people together” and “it gives a voice to the outcasts” but, I just couldn’t help but feel it was pandering. Void of all meaning. A genuine waste of time, and a massive mistake on the part of Netflix.
This is slightly longer than the max character limit of 1,000 words I set for these mini reviews, but this was just that bad. I tried to stay focused on the marketing angle, but I just couldn’t avoid airing grievances. Let me know if you liked this in the comments, please tell me how you managed to do that. Support my stuff via the Ko-fi button below. See ya in the next one folks.