Today’s video covers the recent Netflix film, Words Bubble Up Like Soda Pop. Originally, I wrote a series of Haiku upon watching the film that summarized the events and gave some slight impressions, but I expanded that into a full video. That’s not all though! I challenge you, especially if you are a #TheJCo member, to introduce a piece of media you enjoy using only Haiku (the rest can be a normal review/discussion). With that, here’s the video:
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Alright, the Spring 2021 season was stacked, and after taking a closer look, I realized I watched a pretty big chunk of the shows. Rather than do a bunch of individual reviews, I thought it’d be fun to do a best and worst of list featuring five shows for their respective categories. Today I’m looking at the shows that left a bad taste in my mouth or otherwise missed their mark, along with why I thought this was the case. You’ll likely disagree with some of these, and if you do, that’s fine! I’m glad some folks enjoyed some of these shows, even if I don’t agree. Of course, just like last time, let me know what would have made your list in the comments below.Continue reading “Worst in Season – Spring 2021”→
When it comes to reviewing Netflix “anime” adaptations, I’m no stranger. Housing some of the best titles I’ve ever watched right alongside some of the worst I’ve ever seen, their track record is spotty at best. That’s why these two recent titles, Yasuke and Trese are worth talking about. On the surface, both 6 episode series don’t have a lot in common. They are radically different stories, but at the end of the day, they share almost the exact same issues. They both avoid playing into their strengths, what make them unique, in favor of telling bland, straightforward stories.Continue reading “Yasuke & Trese’s Biggest Problem – A Continued Look at Netflix Anime”→
This is the fifth instalment of the “Anime X-Change Project” reviews. If you don’t know what that is, be sure to check out all the info here from an earlier post.A heads up, I’m putting a pause on these for a bit, possibly indefinitely, after this entry. The reason being my new computer is here and my content creation priorities have shifted. Today’s review is brought to you by @MechAnimeReview, or Scott. I held off on Nozaki-kun for awhile because comedy anime are pretty hit-or-miss for me. That begs the question, was this anime a “hit” or was it a “miss”?
I saw High-Rise Invasion on the Winter 2021 lineup, and seeing it was a Netflix title, figured I wouldn’t be watching this one until June at the earliest. Color me surprised that it only recently dropped, dub and all, just a few days ago at the time of this writing. I knew instantly when I saw it on the list for shows this season that I was going to watch this anime, and as you can probably already guess, I’m really glad I didn’t pass this one over. In a season where there is just so much to watch, I hope you won’t overlook High-Rise Invasion.
“You should always try to do the right thing, become a benefit to society, and earn the respect of every person you meet.”
We all strive to become a benefit to society… that’s why I write reviews on the internet, and I do so with confidence. Welcome, it’s your #1 (self-proclaimed) confidence reviewer Jon Spencer! Today, we’ll be discussing Great Pretender, and let me tell ya “This baby can hold so much thematic depth that it’s even a detriment at times”. *Slaps keyboard* gzdfb; send review.Continue reading “Great Pretender – International Crime Capers”→
If there is one thing that makes Charlie Kaufman such an interesting writer, it is his exploration of the human psyche and what makes the mind tick. Whether it be the fulfillment of desire/longing to live another life (Being John Malkovich), what we decide to do with our memories both good and bad (Eternal Sunshine of the Spotless Mind), the dedication of achieving an ambition (Synechdoche, New York, Kaufman’s directorial feature), or finding meaning in a life filled with monotony (Anomalisa, which Kaufman also directed). The films which Kaufman has written for may be quirky, existentialist fantasies, yet somehow, they feel as real as can be. The characters Kaufman creates are just ordinary people, though it takes a certain fantastical situation to help dig in to the recesses of their minds as to make them relatable, whether they achieve their goals or not.
The same could be said for Kaufman’s newest feature I’m Thinking of Ending Things, based on Iain Reid’s debut novel, which hit Netflix on September 4th. Like Kaufman’s earlier works, I’m Thinking of Ending Things is yet another mind-bender about the human psyche that deals with existentialism, identity, and how we perceive relationships told through the inner monologues of a young woman (Jessie Buckley) as she goes off to meet her boyfriend Jake’s (Jesse Plemons) parents (Toni Collette and David Thewlis) during a snowstorm. As expected from a Charlie Kaufman film, things take a turn for the psychologically bizarre.
How else can I describe I’m Thinking of Ending Things without spoiling anything? It is a film that requires you to accept the eerie bizarre reality of its protagonist’s mental state, where one event twists into a completely different outcome in the strangest of ways, until we find ourselves pulled into its deteriorating state of psychosis. I cannot guarantee that I’m Thinking of Ending Things will go down easy with the average viewer, especially with scenes that feel as if they could halt the movie in its tracks, but it will give fans of Charlie Kaufman the satisfaction of questioning everything they have seen.
It used to be when you first became an anime fan that there was an almost unspoken list of anime everyone was silently expected to check out. You’d see shows like Code Geass, Cowboy Bebop, Death Note, and Fullmetal Alchemist: Brotherhood appear on almost everyone’s list. As time when on, this list has changed, and for many even, doesn’t even really exist anymore. Some shows have survived the test of time and are regarded as “must-see” classics, while other titles have found themselves wasting away to obscurity.Hunter x Hunter is a show that has debatably hit this titan status as you’ll see it recommended countless times to both new and veteran fans alike. Today we are going to discuss my four year journey with the 148 episode series, and what a journey it was.Continue reading “My 4 Year Journey with Hunter x Hunter (2011)”→
When it comes to political and social issues, no one is less afraid to speak his mind than Spike Lee. As controversial as his viewpoints may be for some, it is clear that the messages he is trying to send resonate with most people, making him one of the most influential living directors. ‘Da 5 Bloods’ is his newest effort in making a statement about race in the form of four elderly war veterans who return to the jungles of Vietnam to work on some unfinished business left behind by one of their own as their journey threatens to tear them apart.
Like ‘The Addams Family’, ‘The Willoughbys’ is quirky both in style and sense of humor; taken straight from other dysfunctional families that have come before them, blended into a colorful, candy-coated, yarn-filled family-comedy-adventure that may be a bit predictable, but fun once you buy into its characters. Tim (Voice of Will Forte) is neurotic and wants the best for his family. His sister, Jane (Voice of singer Alessia Cara) is always singing the same melody and always asking the what-ifs of their situations, while both the Barnabys (Voice of Seán Cullen) are monotonously similar that it is hard to tell them apart, prompting their nanny (Voice of Maya Rudolph) to label one A and the other B. Though, what makes them all similar are their red-heads which come from a generation of Willoughbys before them.