Alien 3: A Studio Mess-terpiece (An Average Pt. 3)

No one hated it more than me; to this day, no one hates it more than me.

David Fincher, Guardian interviews at the BFI (2009)

If there is one thing that we can say about the Alien franchise up to this point, it’s that each movie is an experience. The original movie is one of the quintessential sci-fi experiences of the 70’s. It is the ultimate example of how to turn every element of a cheesy low-budget industrial movie and into a masterpiece. A similar story can be told about the sequel, whose praise is still heard from nearly any movie goer since its release. Even the schlock of either feature, which would usually be critiqued by the standard moviegoer, is ignored compared to deserved aforementioned acclaim. Truly they are cornerstones of their respective director’s and writer’s careers. 1992’s Alien 3, the directorial debut of David Fincher, is…well it’s an experience.

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Aliens (An Average Pt. 2)

A sequel is an admission that you’ve been reduced to imitating yourself.

Don Marquis

So, we have a strong foundation of what Alien is now, right? Fantastic lighting and sound design to create a truly scary atmosphere. Nuanced characterization to create people that seem very real. A monster that avoids sight until absolutely necessary to reveal itself to the audience. All these things are what I focused on in the last post because those were what I believed made a great Alien movie. Well today, we’re going to take some of those things, have them directed by somebody completely different, and turn up the schlock to the nth degree. Get ready folks, because here comes 1986’s Aliens. Let’s dig in:

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