I have never seen a book-to-film adaptation so flimsy, chaotic, and silly in its execution such as Kenneth Branagh’s ‘Artemis Fowl’. Keep in mind! This is coming from someone who has never read the books by Eoin Colfer, let alone even aware of its mythology. All I knew about it was that it was centered on a child thief named Artemis Fowl and the secrets he has to unlock. I am sure that it was one of the books I have wanted to read in my childhood, but never had a chance to. A feature film was inevitable and was in development since 2001, but never saw the light of day until its first teaser hit in 2018. Though, it had been pushed back from August 2019 to August of this year, only to be released just yesterday on Disney+ due to the Coronavirus.
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Even after six years, “Frozen Fever” has never really died down. Just like a snowstorm from Elsa’s ice powers, a sequel to Disney’s gargantuan hit was inevitable. You would think that another feature would be dished out as soon as the iron struck hot (or in this case, cold), yet being Disney, time has to be taken to improve a craft to make sure that their newest moneymaker is better. In a way, it shows here. Not only does the animation look gorgeous and lifelike, the adventure seems to be more treacherous and the stakes are higher. Sadly, that is all I can say about this attempt to make snow fall twice.
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It is a story that revolves around one enchanted rose, two lovers, and is considered by many to be referred to as “a tale as old as time”; most famously from the likes of lyricist Howard Ashman (who died 8 months prior to the release of the original animated classic), Angela Lansbury (Who was the original voice of Mrs. Potts), and the duo who sang the original title song, Celine Dion and Peabo Bryson. The original ‘Beauty and the Beast’ was an animated masterpiece that relied on beautiful animation, sweeping camera motions, and the energy of a classic Hollywood musical. It also went on to gain 2 Oscar wins (‘Best Music, Original Song – ‘Beauty and the Beast’, Best Music, original score), and 4 other Oscar nominations (including Best Picture, making it the first animated feature to achieve that category.) While this updated remake in Disney’s roster is visually stunning with its CGI effects that put last year’s ‘The Jungle Book’ to shame (At least in my opinion), the film also turns out rather clunky and doesn’t show us the energy that the original animated film had.
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Looking for a feel-good movie where Josh Gad voices the inner thoughts of dogs in a humorous fashion? There are times where you get a laugh at whatever is going on inside these canine’s heads and it succeeds in the way that is simpler than ‘Look Who’s Talking’ (where Bruce Willis voiced the inner thoughts of Baby Mikey), and 7(x) better than its third entry ‘Look Who’s Talking Now’ (which also had dogs, but with Danny DeVito and Diane Keaton voices), but it is also emotionally manipulative; torturing us with scenes of dogs dying (One of them being the most intense, and not for the major dog lovers.)
Continue reading “‘A Dog’s Purpose’ Film Review”