As of late, villain origin stories have been on the rise, giving us a chance to sympathize with characters known for nothing more than being truly evil. Films like Disney’s Maleficent and DC’s Joker have shown us that these natural born monsters are just broken beings who have been pushed past the edge to the point where acts of cruelty are their way to get back at the injustices and/or tragedies placed upon them. If done right, these backstories can be compelling and may help us appreciate or hate them more. Cruella de Vil is the latest baddie to get an origin. The real question is: Why? There are so many other Disney villains out there with more tragic backstories that deserve to be told; Scar from The Lion King or Ursula from The Little Mermaid have compelling reasons to be who they are rather than being just pure evil, while Cruella is known mainly for wanting to skin dalmatians to use them as fur coats. What is to humanize about that? Maybe if we looked into her past, there could be an excuse for this sort of sympathy.Continue reading “‘Cruella’ Film Review”
The best type of movies that Pixar makes are the ones that are the most meaningful. It is clear that the studio known for making films like Toy Story, Monsters Inc., and The Incredibles know a thing or two about what speaks to people. Sure, their films are kid-friendly, but the thing that makes Pixar the gold standard in animation, besides the beautiful animation that gets better with each entry, but the themes that resonate with the oldest of viewers. Soul is no exception. While it may be as fun as a Pixar film should be, it ranks along the likes of Up, Inside Out, and Coco as one of the studios most emotional, deep, and mature efforts.
The latest in Disney’s slate of live-action remakes, Mulan, is now available to watch, free, on Disney+, after months of waiting for a release. Niki Caro’s feature was supposed to be premiere in March of this year, but as we all know, circumstances beyond our control got in the way, which is a shame, because this remake seemed destined for the big screen, especially with all the effort and money put into it. Yet, there is not much we can do but accept the gift that has been bestowed upon us by the “House of Mouse”
I have never seen a book-to-film adaptation so flimsy, chaotic, and silly in its execution such as Kenneth Branagh’s ‘Artemis Fowl’. Keep in mind! This is coming from someone who has never read the books by Eoin Colfer, let alone even aware of its mythology. All I knew about it was that it was centered on a child thief named Artemis Fowl and the secrets he has to unlock. I am sure that it was one of the books I have wanted to read in my childhood, but never had a chance to. A feature film was inevitable and was in development since 2001, but never saw the light of day until its first teaser hit in 2018. Though, it had been pushed back from August 2019 to August of this year, only to be released just yesterday on Disney+ due to the Coronavirus.
With the Coronavirus epidemic hitting the United States as of late, and movie theaters closing up shop as a result. Films that have been released in the past few weeks have made the move from big screens to smaller, digital formats. Pixar’s newest feature, ‘Onward’ is one of those films. However, it is streaming on Disney+ as of Friday, April 3rd, which means if you have a subscription, you do not have to purchase it on your phone. Families can sit around the TV and watch the tale of two elf brothers as they go on a quest to bring back their father for a day.
Three decades. Nine movies (not counting the anthology films). One epic franchise. We have finally reached the end of what has been called “The Skywalker Saga”. With its popularity, there is no doubt that more characters and worlds will be explored in the form of shows and spin-offs (There is reportedly a Kylo Ren prequel series in the works, but with so much news, how can you trust the internet anymore?), yet somehow, this truly feels like the end of a much-beloved franchise. As perfect as it seems, the journey, however, can be a long and winding road filled with so many paths and choices that, as you go, you start to wonder if you have taken the right turn.
Even after six years, “Frozen Fever” has never really died down. Just like a snowstorm from Elsa’s ice powers, a sequel to Disney’s gargantuan hit was inevitable. You would think that another feature would be dished out as soon as the iron struck hot (or in this case, cold), yet being Disney, time has to be taken to improve a craft to make sure that their newest moneymaker is better. In a way, it shows here. Not only does the animation look gorgeous and lifelike, the adventure seems to be more treacherous and the stakes are higher. Sadly, that is all I can say about this attempt to make snow fall twice.
When you first log in to Disney+, one of the first things you will see in the streaming competitor to Netflix’s featured category is their “original” film, ‘Lady and the Tramp’. You may either see it as yet another unnecessary live-action remake of a perfect, well-beloved animated classic, or you may bask in its warmth and glow, as you watch two rescue dogs with mouth movements more animated than Jon Favreau’s remake of ‘The Lion King’ (and voices of Tessa Thompson and Justin Theroux ) trade witticisms, kiss over a candlelit spaghetti dinner, and fall in love yet again.
For anyone expecting better from Jon Favreau’s remake of Disney’s ‘The Lion King’; no matter how much we would like to see photo-realistic recreations of our favorite animated characters recreate a masterpiece, looks are not everything. As a high-definition remaster, it succeeds in the visual department, yet lacks the heart, emotion, and energy that made the original so beloved in the first place. What was once epic and masterful has been drained of life. You can blame it on the money-milking machine that is Disney for unnecessarily remaking the films we have once held dear in our childhoods, however, as long as audiences clean their wallets for the sake of nostalgia, the studio will not stop until there is nothing left.
You would think that ‘Toy Story 4’ was nothing more than a pointless cash grab, but in the case of this continuation of a sweet conclusion to a trilogy, you would be surprised. ‘Toy Story’ is Pixar’s most beloved and meaningful of its properties. Not only did it put Pixar on the map and pave the way for computer animation to be the new norm, it also manages to appeal to both children and adults. Just the name “Toy Story” alone is enough to bring joy into the hearts of those who hear it being mentioned. To ruin such a beloved trilogy for the sake of money and merchandising is basically a crime against humanity. Thankfully, ‘Toy Story 4’ still has enough heart to keep the franchise alive.