I find it hard to believe that Netflix decided to distribute the third installment in the ‘Cloverfield’ franchise. What started off as a found-footage science-fiction thriller shrouded in mystery and destruction paved way for sequels that have a cinematic look and feel. Though, one does not have to watch any in specific order (Honestly, I may have watched ‘Cloverfield’ months back, yet missed out on ’10 Cloverfield Lane’ before watching this). With ‘The Cloverfield Paradox’, it is easy to see that, despite having elements of the first ‘Cloverfield’, the characters, stories, and situations are different in how they handle this mysterious force. ‘Cloverfield’ took place at a going-away party in Manhattan where party-goers were filming the destruction, ’10 Cloverfield Lane’ set itself in a bunker with three survivors, while ‘The Cloverfield Paradox’ brings us into the future where time and space literally collide.
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Martin Luther King Jr. day is coming, so it only seemed right for the Pix Theater to show Ava DuVernay’s biopic of the amazing preacher/civil rights leader/public speaker, Martin Luther King Jr. Although it doesn’t show his life from birth (which thank God, it doesn’t), it still manages to capture a time in his life when racism was still relevant and people of color didn’t fully get the rights they needed, which lead Martin to fight for equal rights by marching from Selma to Montgomery with tons of people who joined in, making history with each step. They can vote now, but are still faced with prejudice and hate crimes, including violence. That alone makes ‘Selma’ relevant to today’s world of cinema. It came out in late 2014 (just in time for the 2015 Oscars), but its relevancy and social commentary still hold up today when crime and racial issues are heavily on the rise.
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