In troubling times like these, we need a movie like Minari to get us through the bad patches. Lee Isaac Chung’s film is a series of emotions, ranging from humorous to touching, with a dose of hardship as we watch a Korean family struggle to make it in a new state with the resources they can. At its heart is a story about family, and it is that family that propels its emotional heft. Either way, you are going to be moved with a possible new perception of life as you leave the theater (Assuming yours is still open and this movie just happens to be showing for Oscar Season); It is the feeling I had when watching Minari as I assume the audience I was with had felt.
As we get closer to Oscar night (March 4 this year), the time for seeing the nine ‘Best Picture’ nominees is slowly, yet surely, reaching to a close. Whether certain films are still being screened a week or two after that fateful event is up to the studios distributing these films, and how comfortable they are booking more screenings after the winners are announced; which is why I am glad to have finally got a chance to see Guillermo Del Toro’s ‘The Shape of Water’. Nominated for thirteen Oscars including Best Picture, ‘The Shape of Water’ is a romantic fairy tale for adults that only the man who directed both ‘Hellboy’ and ‘Pan’s Labyrinth’ could come up with. I especially have heard that this has been a passion project of his for quite some time. It may just be another ‘Beauty and the Beast’ tale, only this time, it is an homage to creature features from the fifties (‘Creature From the Black Lagoon’), and a love letter to the golden age of cinema while somehow being drenched in fifties nostalgia.