But if the film is allowed to wait long enough–until the filmmakers are dead, until neorealism is less an inspiration than a memory–“The Bicycle Thief” escapes from its critics and becomes, once again, a story. It is happiest that way.
Roger Ebert on Bicycle Thieves, 1999.
The length of time I have taken off from reviewing movies has become a bit of a meme among my friends. Things have hit hard with COVID-19, moving away from home, and generally having a writer’s block the size of the Korean DMZ. All things considered, it has been good to get some time to think about the way I approach movies, and generally look into some movies I might never see. It is for this reason that I have delved deep into the ratings of IMDB to find the top community rated films of all time (to be perfectly clear, I bought a poster of the top 100 list for me and my girlfriend, and we’re watching a movie every week from the list). Let’s have a look at the first movie from the list: Bicycle Thieves.
Continue reading “Bicycle Thieves: The IMDB Top-100 Watchlist”