‘Call Me by Your Name’ Film Review

Grade: B+

Armie Hammer and Timothée Chalamet in Call Me by Your Name (2017)

Thinking about Luca Guadagnino’s Oscar-nominated adaptation of André Aciman’s 2007 novel ‘Call Me by Your Name’, I also reminisce about its beautiful set-pieces and Sufjan Stevens’ Oscar-nominated song ‘Mystery of Love’. I also think of the heartbreak that sneaks through in a place you least expect; haunting you long after the credits roll. ‘Call Me by Your Name’ has still stuck with me this week, and as I anticipate the Oscars coming this Sunday, I still think of its impact. I am not saying that this movie is the best ‘Best Picture’ nominee; there are certain moments that feel graphic in nature. To its credit, it is a sweet portrayal of love and friendship.

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‘Cars 3’ Film Review

Grade: B-

Despite what Pixar wants you to believe, ‘Cars 3’ is not really the third installment of the successful series of cash cows, it is actually the second film that took a decade to make. This might sound confusing, but ‘Cars 2’ didn’t really exist; what you saw before this film was actually a rough screen test that was accidentally released to the public before they made changes. “Why does the ‘3’ exist in the title?”, you may ask. I could answer that by saying that the studio realized too little too late that the damage had already been done, and what was called “Cars 2” at the time was already released, so they decided to slap the number 3 in the title. I’m not even sure I should call this movie “Cars 3”, but I will just play Pixar’s game and, try as I might, to call it what it was marketed as. (However, I should have listened to the man I happened to overhear call it “Cars 2” when I was paying for my ticket; he knew what was going on.)

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‘Free Fire’ Film Review

Grade: B-

Free Fire Movie Poster

Brie Larson, Sharlto Copley, Jack Reynor, Cillian Murphy, and Armie Hammer get into more trouble than it’s worth in Ben Wheatley’s action-comedy ‘Free Fire’. Through its first act, ‘Free Fire’ feels like a climax heavy rip-off of Quentin Tarantino’s ‘Reservoir Dogs’, with an equal (yet maybe more or less) amount of F-bombs, more bloody violence, and no back story to compare it to. Most of it even feels like an extended short film; for that, I will praise ‘Free Fire’. As much as I feel this is ripping off one of my favorite movies of the 90’s (and possibly one of the best Tarantino films of all time), I found ‘Free Fire’ to be quite original and bold.

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