It’s Time to Say Goodbye
Over the past three years I’ve run a group watch called AniTwitWatches over on Twitter. In that time we watched 20 different shows, had wonderful discussions, and had a pretty good time (well, mostly) along the way too! Today’s article, however, marks the end of this program after season 20, Big Order. I’d like to take this time to explain why we stopped, how Big Order represented the spirit of the program (even if it might seem like a strange note to end on), and whatever related thoughts I may have along the way. This isn’t a typical review, but I will talk about my thoughts on Big Order here so if you want that I’ll section it in a way so you can easily find it. With that, let’s get right to it. Continue reading “Big Finale! – Saying Goodbye to #AnitTwitWatches (Featuring Big Order)”
I Finally Watched Them!
While author Tsukasa Fushimi has done other, smaller works, he’s mostly known for Oreimo and Eromanga Sensei. I’d go as far as to say that, at least in Oreimo’s case, that the series carries the same kind of cultural weight to the medium that other titles such as Cowboy Bebop or Code Geass have, albeit for those deeper into the medium. This is a bold claim, but the notoriety that his works have is the whole reason I’ve threatened to watch these two titles for some time now. It’s not like Tsukasa Fushimi’s work was positively received in the same way that those other titles were, much less so today, but it would also be completely incorrect to say that they didn’t leave a lasting impact. Now having watched both his flagship works, I couldn’t help but wonder just what’s wrong with onii-chan? Continue reading “What’s Wrong with Onii-chan? – A Look at Tsukasa Fushimi’s Work”
The Age Old Question
As with any larger franchise, this question always seems to come up: where should I start? It’s a seemingly simple question without an equally straightforward answer. If you have been following my Fate journey thus far you’d notice that each has a “route” in the article’s title and wondered why I bothered putting it there. In part this is to help you, the reader, navigate the articles in a sensible way as to have my thoughts presented more cohesively, but even more so it acts as a general watch order suggestion. That brings us back to this article which you may have noticed is labeled “route 1 alternative” much like the review of the 2006 and 2010 Deen adaptations, so what gives?
Continue reading “Fate/Stay Night: Unlimited Bladeworks (2014) Route 1 Alternative – Should You Start Here?”
Finally, I Watched Love Live!
I’ve actually been quite interested in watching Love Live! School Idol Project for some time now. Unfortunately, the series only had the second season of the first series available for several years. That is, until recently when Funimation (now Crunchyroll) got the streaming rights to the first season. While it’s true I could have started with future entries, I wanted to start from the beginning and make my way slowly through the franchise as I’ve been doing with Fate and others. Today I’ll be sharing 9 thoughts, or “μ’sings” if you will, about my experience with Love Live! so far. Continue reading “9 μ’sings about Love Live! School Idol Project”
A Great Place to Start?
For the past few years I’ve slowly been collecting all of the mainline Fate entries along with a few other editions in order to finally dive into the franchise in full. With both season 15 and 16 of #AniTwitWatches my chance to start finally came. During this period we watched both of Deen’s adaptations of Fate/Stay Night (2006) and the Unlimited Blade Works film. Rather than do a typical review, I’m electing to instead discuss my expectations with each and my general thoughts on the franchise moving forward as I prepare to continue this journey deeper into the fandom. Continue reading “Fate/Stay Night (2006) & UBW Route 1 – My Fate Journey Begins…”
Uso’s Getting his Money’s Worth!
Well, in a figurative sense at least. Before we begin, today’s article is sponsored by Uso, or as you may know him on Twitter as @obamasnowToo. Having won the New Year’s AMQ special event, I awarded him my $15 Patreon tier where you can suggest just about anything for me to take a look at and cover in some capacity. In keeping with the New Year spirit, he gave me a few suggestions from the 2021 anime lineup to choose from and I ended up selecting Muteking the Dancing Hero. He knows that I’m a fan of Tribe Cool Crew and Brave Beats, so this was something I had some interest in anyway, but thanks to him I had a nice excuse to watch the whole show. With all this preamble out of the way, today I want to talk about anime fans and children’s media, why so many fans seem drawn to it, and what exactly it can bring to the table while looking at this Muteking reboot along the way. Continue reading “Anime Fans & Children’s Media – A Look at Muteking the Dancing Hero”
Did Fruits Basket get the FMA Treatment?
Awhile back I watched the original 2001 version of Fruits Basket which is a slightly dated, partial adaptation of the source material of the same name. I enjoyed it, but didn’t have enough to say to write a full piece. Now I’ve had the chance to watch through the first season of the 2019 version, and it begs the question: Did this receive the Fullmetal Alchemist Brotherhood treatment? By which I mean, is the old one worth watching, and by extension, do you need to watch the first season of the new one afterwards? Today I aim to answer these questions and walk you through exactly what’s been improved upon, and what hasn’t. Continue reading “Fruits Basket – Old or New?”
I’ve Returned From Yet Another Anime Pilgrimage…
My last multi-year journey in anime saw me visiting Hunter x Hunter but even before that I had begun an even longer journey back in 2016, now five years later, I have returned from one bizarre adventure, the story of which I am prepared to share with you here today. I’ll be walking through each leg of the journey, my thoughts, the things I took away, and naturally, any regrets that came along with my travels. So sit back, enjoy a fine wine, and let me regale you with the anime legend that is: Jojo’s Bizarre Adventure. Continue reading “Jon’s Bizarre Adventure – A JoJo Retrospective in Preparation for Stone Ocean”
Everything’s Here But…
While watching Samurai Flamenco I couldn’t help but notice the show shares a flaw with it’s prominent theme. The main character, Hazama, struggles with his sense of identity in his pursuit of justice. In the same way, the show struggles to tow the line between genre parody and its more serious narrative elements. So would I recommend this one? Yeah, but it comes with a pretty big caveat. Let me explain. Continue reading “Samurai Flamenco – Technically Perfect, Ultimately Lacking”
I Made Another Video!
Today’s video covers the recent Netflix film, Words Bubble Up Like Soda Pop. Originally, I wrote a series of Haiku upon watching the film that summarized the events and gave some slight impressions, but I expanded that into a full video. That’s not all though! I challenge you, especially if you are a #TheJCo member, to introduce a piece of media you enjoy using only Haiku (the rest can be a normal review/discussion). With that, here’s the video:
If you enjoyed this, please give me a like and subscribe. I’d love to hear your thoughts on the film and video as well, either here or on the video’s page itself. Thanks for watching and see you next time!