Here we are at the end of the mainline Fate reviews. I thought about breaking each film out into its own review, but let’s be realistic, you aren’t going to watch just one of these randomly as that would make no sense. Instead, we are talking about the Heaven’s Feel films as a set. By the title, I hope you could guess that these are well worth watching. If all you wanted was a quick recommendation, well there you go! For those of you who want a little bit more though (and if you have read my Fate retrospective up until now, let’s not kid ourselves, you do), join me as we talk about why I enjoyed these films.Continue reading “Fate/stay night Movie: Heaven’s Feel (1-3) Route 2 – The Best Mainline Fate Since Zero”→
When it comes to what I choose to cover here on this website it’s easy to see that there are a few patterns for what I’m partial for. Among these are big retrospective pieces on large franchises, making today’s topic of conversation in the Index, Railgun and Accelerator series long overdue. In fact, I’ve wanted to cover this franchise for several years but always found excuses in watching other programs. Since my Funimation subscription was about to end, this made for an ideal last hurrah for that platform as Crunchyroll didn’t have the full series dubbed (for some reason). With this all out of the way, let’s get on with the main event: is this franchise worth watching?Continue reading “Project Raildex – Worth a Watch for Modern Fans?”→
As with any larger franchise, this question always seems to come up: where should I start? It’s a seemingly simple question without an equally straightforward answer. If you have been following my Fate journey thus far you’d notice that each has a “route” in the article’s title and wondered why I bothered putting it there. In part this is to help you, the reader, navigate the articles in a sensible way as to have my thoughts presented more cohesively, but even more so it acts as a general watch order suggestion. That brings us back to this article which you may have noticed is labeled “route 1 alternative” much like the review of the 2006 and 2010 Deen adaptations, so what gives? Continue reading “Fate/Stay Night: Unlimited Bladeworks (2014) Route 1 Alternative – Should You Start Here?”→
For the past few years I’ve slowly been collecting all of the mainline Fate entries along with a few other editions in order to finally dive into the franchise in full. With both season 15 and 16 of #AniTwitWatches my chance to start finally came. During this period we watched both of Deen’s adaptations of Fate/Stay Night (2006) and the Unlimited Blade Works film. Rather than do a typical review, I’m electing to instead discuss my expectations with each and my general thoughts on the franchise moving forward as I prepare to continue this journey deeper into the fandom.Continue reading “Fate/Stay Night (2006) & UBW Route 1 – My Fate Journey Begins…”→
Today’s video covers the recent Netflix film, Words Bubble Up Like Soda Pop. Originally, I wrote a series of Haiku upon watching the film that summarized the events and gave some slight impressions, but I expanded that into a full video. That’s not all though! I challenge you, especially if you are a #TheJCo member, to introduce a piece of media you enjoy using only Haiku (the rest can be a normal review/discussion). With that, here’s the video:
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For the eighth season of #AniTwitWatches, I decided to host a movie night and the winner of the public vote to decide what to watch happened to be The Princess and the Pilot. Didn’t know much about this film going in, so wasn’t sure what to expect from this film. As you might imagine, the 2011 feature follows a princess as she is transported by a lone pilot in hostile territory during a time of war. It’s a quiet film peppered with moments of action. While not bad, it’s a bit plain.
Really, that’s the long short of things here. The Princess and the Pilot isn’t a film I regret watching, nor is it something I’d recommend you give a pass to, but I find it hard to just outright recommend. It does just enough to be spared feeling totally average, while simultaneously being so obviously constructed that it doesn’t bring much of its own flavor to the table.
The one exception to this is the dogfight sequences, or really any time the plane is utilized in the film. These kind of anime are more rare, so it’s nice to see them. However, the action sequences, though brief as they are, do deliver. The tension is there and the right amount of emphasis is placed on each moment.
As a result, the slower, more intimate parts of the film where our pilot and princess talk to each other feels appropriate. The two characters don’t really part from the “two different worlds” story, which is further contrived with the shared history between the pair, but their interactions are earned with growth felt between both of them. Still, I can’t help but feel there was more opportunity here that went ignored.
There isn’t much else to say about this one. I know I haven’t exactly painted The Princess and the Pilot as the most exciting film, but if you have a free afternoon and are looking for something fairly straightforward to watch, this’ll fit the bill just fine. Likely, you’ll enjoy yourself but find that the film is underwhelming despite the premise. Final verdict, worth the one-time watch on a rainy day.
That’ll do it for this review of The Princess and the Pilot. What did you think of the film? Share your thoughts in the comments below and consider joining me on Twitter @JS_Reviewsfor the next watch. If you enjoy my writing please check out my Patreon or make a one-time donation via Ko-fi utilizing the buttons below. Until next time, thanks for stopping by!
While Black Fox wasn’t the first to receive the simulcast treatment, we got to see this the same time Japanese theaters had it, it is the first time I’ve watched one. Namely because it isn’t tied to an existing franchise and it did look really cool. So when it got a fair bit of hype, I felt confident enough in checking it out. Unfortunately for me, and for Black Fox, the film is the definition of average.
All I knew about this movie coming into it was that it seemed to be about ninjas. When it opened up on a girl being chased by one, and knowing that the girl was clearly the main character, it wasn’t hard to figure out this was some kind of training. The sequence is really good, and in some ways, the best part of the film.
You learn that the girl, Rikka, is expected to take up her grandfather’s legacy and lead the Isurugi clan when she comes of age. However, she has other plans. Her father is a scientist who makes cools stuff like animal drones that have human-like AI. Rikka would like nothing more than to follow in her father’s footsteps.
Flash-forward and Rikka has taken the first major step to achieving her dreams, even if it is to the disappointment of her grandfather, getting into the same school her father attended. Now she’s coming home to share the good news AND celebrate her birthday. Unfortunately, the past has come to haunt Rikka’s father, and I’m sure you don’t need me to tell you where this is going…
In that moment Rikka abandons her aspirations and takes up the blade to seek revenge on the man and all who took her family from her. Which would be cool, except the film abandons this idea in favor of exploring some themes of forgiveness and becoming your own person.
From my summary, you can probably already sense a big problem with the film. It’s predictable. So much so, that it almost feels like a paint by numbers for how to make a successful blockbuster hit. There’s not a single thing you shouldn’t be able to see coming a mile away, and that’s one of the biggest problems I have with Black Fox.
Outside the minor deviation from this just being a ninja movie to becoming something closer to a Spider-Man film, the whole thing is just one trope after another. While none of them are bad or hurt the integrity of the film, the lack of risk or innovation is sorely felt here.
My other gripe is that the whole “revenge” aspect of the film is completely abandoned. It makes sense when Rikka doesn’t kill the first guy she interacts with, but as time goes on, it gets harder to accept that she would give up on it because her robot pets told her to. On the one hand, forgiveness is powerful, and the people she ultimately does forgive, do ultimately deserve it. Though, on the other hand, having it completely removed from the table didn’t feel good, especially as events unfold.
An example is likely needed here. Toward the end of the movie, the bad guy from the evil company (which is so obviously evil it is hilarious) sends an evil drone based on stolen technology from Rikka’s dad after her. It destroys a bunch of the city and everybody can clearly tell the corporation made it. I find it hard to believe that Rikka is going to somehow resolve this peacefully with no casualties.
Furthermore, as an aside, can I just say that it is so stupid that when the people confront the corporation about the evil robots that all the doubts and outrage is dispelled because the corporation says they’ll pay for all the damages, help rebuild, etc… Then the CEO or whatever he is also announces that they are changing the name of the city to be his name. It’s so stupid, I honestly don’t get this part at all.
This is probably an issue more specific to me, but it all felt incredibly cheesy. Perhaps this wouldn’t have stuck with me as such a big deal if Black Fox actually had any resolution. That’s right folks, the film doesn’t have an ending. It “resolves” an arc of a much bigger story, but it also doesn’t seem like the movie will be getting a continuation as one hasn’t been announced (at least to my knowledge).
After doing a bit of research, it seems like this was the product of a failed TV show, which is likely why this occurs. But then, I have to ask, why was this even released? I just can’t help but feel that this is a half-baked product that teases more that may never come. Perhaps the popularity of the film, as it was pretty well received in general, will get it there, though I can’t say I’m looking forward to more.
Look, it’s not like Black Fox is a bad movie. The animation is really good and the story it tells is tried and true. It just needed more, and I don’t just mean the runtime, I mean this in almost every respect. That’s why I can’t ultimately recommend the film. While you may enjoy it, the experience ultimately feels lacking.
That’s it for Black Fox. How did you enjoy it? I know that I wasn’t the only one who felt a bit baffled by this, but maybe you saw something I didn’t. I’d love to hear your thoughts. If you want to support my efforts here, please click one of my donation buttons below as the support is appreciated. Thank you so much for reading and I hope to see you again soon!
With My Hero Academia about to enter its fourth season later this year, I thought it’d be fun to finally get around to watching the film that was released last year in 2018. It was a nice way to get excited for season four that felt like watching an extended episode of the show. However, I can’t help but feel the film had a lot of issues which I’d like to discuss today.
First and foremost, this was a good movie. If all you are looking for is a recommendation, then you’ve got it. I have to spoil some of the movie to talk about some of the things I’d like to, so you’ve been warned.
In case you need a refresher, the film sees Deku and All Might going to “I-Island” in order to visit an old friend of All Might’s, David Shield. The island is known for the technological research that’s conducted there and a big event is also going to be held during the visit. Additionally, the island is very safe, so naturally, nothing will go wrong… right?
I do want to say that it was really nice to see some more backstory on All Might and the time he spent with David Shield during his visit in America when he was younger. The two were a good team, and you can see that All Might really inspired David. Unfortunately, this is also one of my biggest complaints with the film
David is such a big character, along with his daughter, Melissa (who spends a lot of time with Deku) that it is weird for them to not play any roll outside of this movie. This film takes place between S2 and S3 events, yet it is never mentioned in the series cannon, despite being, well, cannon.
Everything that happens in Two Heroes is because David is worried about All Might losing his power, and thus, having the world lose its symbol of peace. Really though, he’s worried about losing this figure that he looks up to. While this makes for a great story beat, it was weird that David’s consequences are not at all explored.
Then there is Melissa. She hits it off with Deku and they really seem to be a great team, mirroring what we see with her father and All Might. To not have her influence things in later seasons of the show felt unnatural and clunky with retrospect. If you hadn’t seen the film, then that works, but if you had…
This is most noticeable in the support item that Melissa gives Deku. It’s basically a power glove that lets Deku use 100% of his power without injuring himself. It had me wondering just how they would explain that away since he couldn’t take it off and it was capable of “withstanding 3x the power of Uncle Might’s punches”. The solution was to just have Deku punch so hard it evaporates, which was kind of lame.
Another thing that bothered me was my chief complaint about My Hero Academia as a series, and that would be the amount of recap it has. The film recaps a LOT, which does hurt the runtime, inflating that 1 hour and 36 minutes.
To the film’s credit, this did make the movie watchable if you had seen none of the show before. A movie should be able to stand on its own, and to that effect, it was successful. It just wasn’t great to have so much recap. Really, there’s probably close to a little over an hour of actual film here, which is basically two regular episodes.
At one point I even jokingly mentioned how there was a spot where the credits felt like they should play, because it was an obvious break where an “end of episode” ED would go. This really could have just been a two-part episode set for the series proper.
Finally, the film had to contrive a way to get a lot of its cast to I-Island, which made some things feel kind of forced. I almost rolled my eyes at how some of it was executed. It does make sense for some characters like Momo, Iida, or Todoroki to attend this important conference, but beyond that everyone else is just kind of there.
Past that, everything is solid. The animation, music, and story is a great time. What I’d like to see moving forward, especially with the announcement of a second film, is having these mean more to the series. I’d like to see more of the Shield family, and the additional world details play a more active role in the story proper. This was a nice holdover until season four finally comes out, and I’m really looking forward to spending more time with Deku and friends!
What were your thoughts on Two Heroes? Did you agree with my complaints? I’d love to hear from you in the comments. If you enjoy my writing, please consider a small donation by pressing the Ko-fi button below. Thanks you once again for reading and I hope to see you again soon!
If there is one person I’ve wanted to talk about for some time now, it’s the late Satoshi Kon. I’ve seen nearly all of his work and it is something that is certainly worth talking about, but finding the words hasn’t been easy. However, you guys voted and here we are today to discuss the 2003 film Tokyo Godfathers. If you are here just looking for a recommendation, you have it in full. This is a great movie to watch whenever, but especially around Christmas time. You can find the film pretty easily and legally, so go out and watch it.Continue reading “Anime ABC’s T is for Tokyo Godfathers”→