We’ve ALL Heard the Sub VS Dub Debate…
When it comes to anime, the conversation surrounding accessibility in the community is a weirdly contentious one. I don’t just mean the usual sub VS dub debate either, as the conversation goes well outside that but for several reasons, supposed “fans” of the medium are quick to dismiss these ideas all too often. The weird thing though, it’s not really an issue in live-action media. That’s why I’d like to take a moment to talk about two recent things I watched: Amazon Prime’s Cinderella and Netflix’s Squid Game. What do these two experiences have in common when it comes to accessibility, and why anime licensors and distributors should be taking a page from their books? Well, you’ll have to read on to find that one out.
*This Look Back May Contain Some Spoilers Ahead*Continue reading “A Look Back at ‘Frankenweenie’ (1984) – Tim Burton’s ‘Frankenstein’ Parody for Disney”
Bebe’s Kids is not the most popular (or well-regarded) movie that has come out in the 90s, but it came at a time when rap and hip/hop were trending on the radio, black comedians were becoming box-office attractors, and animation was starting to be seen as more for adults than children. Though, at first glance, you might think that this try-to-be-hip animated comedy was made for kids, with its simplistic hand-drawn style, edgy attitude, and juvenile humor. In reality, it was based around one simple stand-up act by late comedian Robin Harris. I didn’t know who Robin Harris was before I found out about Bebe’s Kids, but his most famous routine was about the titular kids and how they would annoy them on a date he would go on with his girlfriend. Apparently, the skits were so popular, that Paramount saw potential to make a movie based around that routine. The movie, however, did not do well, critically, or financially.Continue reading “A Look Back at ‘Bebe’s Kids’ – Back When Animated Movies Tried to be Hip”
As of late, villain origin stories have been on the rise, giving us a chance to sympathize with characters known for nothing more than being truly evil. Films like Disney’s Maleficent and DC’s Joker have shown us that these natural born monsters are just broken beings who have been pushed past the edge to the point where acts of cruelty are their way to get back at the injustices and/or tragedies placed upon them. If done right, these backstories can be compelling and may help us appreciate or hate them more. Cruella de Vil is the latest baddie to get an origin. The real question is: Why? There are so many other Disney villains out there with more tragic backstories that deserve to be told; Scar from The Lion King or Ursula from The Little Mermaid have compelling reasons to be who they are rather than being just pure evil, while Cruella is known mainly for wanting to skin dalmatians to use them as fur coats. What is to humanize about that? Maybe if we looked into her past, there could be an excuse for this sort of sympathy.Continue reading “‘Cruella’ Film Review”
Back in 2004, a film called Team America: World Police was released from the creators of the popular (and still running) animated show, South Park, Trey Parker and Matt Stone. Much like the show, Team America made it a goal to attack everyone and everything, from celebrities to politics, and how we, as Americans, handle the issues going on in the world. Instead of crappy cut-out style animation, Parker and Stone did the entire movie with marionette puppets. How it even got made and backed by any studio is beyond me, but I am glad it even exists in the first place.Continue reading “A Look Back On ‘Team America: World Police’ – The Most Offensive (and American) Puppet Movie Ever Made”
After the critical and audience reception of 2016’s Suicide Squad, writer/director James Gunn (Guardians of the Galaxy) was brought in to give it a new life. The Suicide Squad serves as both a sequel to and reboot of Suicide Squad, as not only does it take place in the same universe as the rest of the previous DC films that have come before it, yet it does manage to do something different, with all sorts of new characters and a mission that is pretty much the same, but on a massive level when compared to the 2016 film. Still, the premise is reminiscent of the original; Viola Davis’ ruthless Amanda Waller brings a group of criminals together to stop a worldly threat in order to get their sentences reduced lest they back away; if they do that, she activates a microchip that ends their life, though not in a PG-13 way.Continue reading “‘The Suicide Squad’ Film Review”
The tale of Sir Gawain and the Green Knight is one that has been told for centuries, though for some reason, I had never heard of it until David Lowery’s adaptation. Lowery, who gave us A Ghost Story nearly four years ago, uses a visceral approach to the 14th-century poem, with breathtaking set-pieces and lush environments. It may as well be the best-looking film that A24 has put out in recent years. Though, being an A24 film, do not expect a lot of exciting action or medieval combat. Instead, immerse yourself in the journey and dive in to a mind-blowing experience.Continue reading “‘The Green Knight’ Film Review”
Back in 1996, a little movie called Space Jam was released. Not only did it define the 90s, but many people who grew up in that era fondly remember it as a nostalgic fever dream that had no right to be as popular as it should have been. Now, 25 years later, a sequel has finally been released. Known simply as A New Legacy and starring LeBron James in place of Michael Jordan. Much like the original, A New Legacy combines animation with live-action, albeit with some updates to place itself in the annals of modern films. All in all, it is merely a shameless, self-aware exercise to see how many IPs can be in one film (It worked with Ralph Breaks the Internet and Ready Player One, so why not this?); some funny, some distracting, all just there for viewers to point and say “Oh, look who it is.”
Anyone who grew up in the 90s will remember the movie Space Jam, the live-action/animated hybrid film which brought together the likes of the NBA with the antics of the wacky Looney Tunes characters that we all know and love. Whether it truly holds up however, is an altogether different animal. The plot, albeit simple, was absolutely bonkers. In case you have never heard of Space Jam (and why wouldn’t you?), the film is about tiny aliens from Moron Mountain, an amusement-park style planet ran by the ruthless Mr. Swackhammer (Voiced by Danny DeVito of all people), who seems to be struggling with bringing in customers for his rides. The aliens that show up to the park find themselves disenchanted with the attractions there. As one bratty alien tells his dad “This place stinks! Don’t bring me here anymore, right?”, a phrase that the corrupt, cigar-chomping proprietor has heard one too many times. “We need new attractions!”, he declares to his assistants, the nerdlucks (Yes, those are their names), who are more than happy to please. So what do they do? They decide to go visit the Looney Tunes in order to kidnap them and bring them back as nothing more than entertainment. Of course, the Looney Tunes are not going without a fight, and convince the nerdlucks to give them a chance to defend themselves. How do they do it? With a game of basketball. Enter Michael Jordan, who has retired from the game in order to play Baseball (which actually happened in real life), though not as skilled at hitting a ball as he was slamming dunks. After a relaxing golf game with Larry Bird and Bill Murray (No joke), Jordan ends up getting sucked into a golf hole down into “Looney Tune Land”, where Bugs Bunny desperately asks him for help.