When Run with the Wind first aired back in the Fall 2018 season I almost gave it a pass without a second thought. That is, until I learned that it was based on a novel of the same title by author, Shion Miura. Why is that important? It’s important because I had watched an anime called The Great Passage which I had loved! Can you see where this is going? Yup, that’s right, it is also based on a novel by Shion Miura. I sat down and started giving it a watch only to put it on hold, the season was just TOO packed, until this series got chosen for the Anime ABC’s article series. So after the long wait, was it worth it?Continue reading “Anime ABC’s R is for Run with the Wind”→
When it comes to Boogiepop, my relationship with the franchise is a more complicated one. Very rarely do I have any real knowledge of the source material, and in turn, does that impact my watching. Further more, it is even more rare for me to have seen multiple adaptations of said work. This is the case with Boogiepop Never Laughs which has lead to an obvious question, so what is even worth engaging with here?Continue reading “Boogiepop Never Laughs – Better Than the 2000’s Version?”→
After watching Ordinal Scale in the theater, I was pretty hype for the upcoming third season. Later, when I heard that this season would have a boat load of episodes, basically enough to run for an ENTIRE YEAR, that hype only grew. Then it came out… From my tone you are probably thinking I hated it, but I didn’t. However, the show was all over the place and something was, clearly missing from previous installments in the franchise.
It should be pretty apparent by the way I opened this article that I’m a fan of the Sword Art Online anime franchise. Yes, it has its share of flaws, but I’ve generally enjoyed a good portion of the show. With great highs such as the “Mother’s Rosario” arc and lows such as the “Excalibur” filler episode. Something that I’ve noticed though, is that over time each installment has improved upon what was previously built with room for continued growth moving forward.
Reki Kawahara, author of the series, has always struggled with pacing and how to properly balance which characters get screen time. However, by the end of Ordinal Scale, it felt like he was finally hitting his stride. Having had more experience and taking influence from others, see Gun Gale Online, you can see this gradual improvement in these areas.
When it comes to this latest season with Alicization, it feels like all that got thrown out the window. I’ve noted in my “What I’m Watching – Fall 2018 Anime” article that things open with problems. It is true that I still enjoyed the show, but signs of issues were present from the very start.
Everything in this 24 episode installment, just takes way too long to happen. Really, I don’t mind that so much, but not a lot of interesting things occur as we go from point A to B. Of course there were some pretty great episodes or moments, but I couldn’t help but feel that they were farther and fewer between than any previous season.
You know the pacing is bad when you have a dedicated recap episode that is immediately followed up by yet ANOTHER recap episode. Not even joking, Alicization brazenly did that. They didn’t even try to make those interesting either, which isn’t surprising, but just extra salt in the wound.
There was a lack of hype. Asuna and Kirito don’t get to interact at all really, the rest of the cast basically doesn’t exist, and while some of the new characters, namely Eugeo are cool, not enough of them leave a lasting impact.
All said, there were still things I liked quite a bit. For starters, the series has received a notable visual upgrade to bring it inline more with the film. Despite the controversy, I enjoyed episode 10 which was proper payoff for an arc (even with the gross censorship). Even the villain, Quinella, who seems rather shallow at first, has enough going on that I could write an entire article about her and thematic elements involved with her character.
Additionally, some stuff in this show was legitimately uncomfortable. Maybe that sounds like a bad thing to you, but this is actually a point of high praise from me. Personally, I think media should challenge folks and this does achieve that a few times. That, and anime struggles to convey real horror in any capacity and season 3 here managed it more than once!
My final point of praise is in the ending of the series. Even with the Eugeo deciding his purpose in life was to become a giant flying sword powered by love and friendship (yes, that actually happened), they managed to recover from that and have an emotional conclusion. It didn’t feel cheap or unnecessary either. Kirito has a real reaction and it felt very good.
Then, they go and leave off on a crazy cliffhanger. Now, I expected something to go wrong for this last episode but I didn’t quite think things would escalate to the point it actually went to. Don’t want to spoil it, but I am actually excited for this to return in October. I just hope they really narrow in on the pacing and keep a tight ship, because if they manage that, we should be in for a pretty good ride!
Love it or hate it, I want to hear your thoughts on Sword Art Online both as a franchise and regarding this series, of course! Was something missing for you or did this keep you hyped for its whole run? Be sure to share your thoughts in the comments. If you feel like supporting my writing, you can do so by utilizing my Ko-fi button below. Finally, thank you so much for reading and have yourself an excellent day!
Continuing my journey with anime on Netflix, I decided to watch Lost Song after the disaster that was Hero Mask. The description got me interested in this because it said there would be singing and a quick cursory look at the staff revealed that Yukari Tamura (you may recognize her vocal performances in shows such as Island or Higurashi) would be a prominent character. While not every roll of hers involves singing, this one seemed like it obviously would, and that was enough to get me to watch. Unfortunately, the show had a lot of bad reviews, but I was convinced there might be something to this one.Continue reading “Lost Song – Straight Forward Children’s Fare?”→
The results are in on our 18th round of Anime ABC’s! We had 20 unique voters this time, which is just slightly below average for us. Most shows received about 4-6 votes each, with the low end being 0 and the high end at 9. The big loser was Radiant, which I can’t say I’m all too surprised about. I never thought it would win, but it didn’t even get a single vote…
Enough anticipation though. Our big winner today is Run With the Wind! This is the first time that a recently aired show has ever won. I really wanted to watch this anyway, so now I have the perfect excuse. For those who don’t know, the source is by the same person who did The Great Passage, which was a show I absolutely loved. I don’t expect this to be quite that good, but it may just surprise me. A lot of you folks seemed to enjoy it, so I’m sure you’ll be anticipating my thoughts on this one.
As usual, I’ll leave the full results below for your viewing pleasure. If you need some content to hold you over until I get this article out, I’ll be posting every M/W/F at 11:00 AM PST unless otherwise noted. Additionally, be sure to check out my look at Cowboy Bebop and its film or consider exploring the big alphabetized list of every anime I’ve reviewed.
Other votes: Recovery of an MMO Junkie, Ramen Daisuki Koizumi-san, and Rascal Does Not Dream of Bunny Girl Senpai*
You know that feeling when you find something really fun and you just want to keep doing that thing but eventually you overdo it and kind of burn out on it? That’s kind of what happened with Kaguya for me. At the start of the season I had wanted to make an article (which I unfortunately didn’t get to do) about how much I was LOVING this show, but now that it’s over, I can’t help but notice I lost a good chunk of that enthusiasm. Despite that, this was one of the better shows this season for me.
The best way for me to explain this show is to use other shows as an example. Kaguya-sama: Love is War takes the best parts of Kaiji and the back-and-forth of Death Notes, but with none of the actual stakes. This isn’t to say that the characters don’t genuinely believe there are high stakes here, that’s what makes it so fun, because the efforts they go to over something that is relativity trivial, is pretty funny.
Each episode has the titular Kaguya and Miyuki squaring off, trying to get the other to confess their love. This is accompanied by over-the-top narration, Kaiji style paired with inner monologue from each character, akin to Death Note. Things usually go awry though thanks to their friend Chika. That’s about the gist of the show, well the first half at least.
Up until just after Ishigami’s character was introduced, the show was a fantastic time and I really looked forward to watching it each week. I should note I started in on this one late, like after it was already 5 episodes in, and binged it pretty fast. In fact, I even watched the episodes over with another friend.
However, after that, the show kind of started outstaying its welcome. I wasn’t outright disliking it or not having fun, but the jokes started to fall flat, the pacing felt off, and something was just… missing.
Kaguya had a nice conclusion though that brought things back up a bit for me. It’s left me feeling a touch conflicted though because I want to see more, but at the same time, I also want the show to mix it up a bit. There’s a common complaint levied at comedy shows like this, and it’s that the jokes get repetitive.
I don’t think that is really the chief problem here, however, but I could see an argument to be made there. Instead, I’d say that the structure of the episodes is what changed and that is what caused the shift. There was suddenly less focus on these bombastic overly complex love plots and more just kind of boring typical romance stuff. It just didn’t work here.
Still, I would recommend watching Kaguya anyway. If for anything, it would be for the OP, “Love Dramatic” which was easily the best of the season both musically and visually. I listen to that song even now, it’s that good. If I had to describe the OP I would say it is like watching every James Bond opening all at once (from a stylistic sense) but with a more fun and upbeat musical backing.
Ah, that reminds me, episode three has a special ending theme that was reminiscent of Lucky Star or Haruhi. The only reason that exists is because there was some source that didn’t get adapted and they “needed” to have a plot point make sense. I wish there would have been more stuff like that, and judging by how it took the internet by storm, it seems most people would agree.
Kind of surprised by how little I actually have to say here. At the start of the season I thought I’d have a lot to say, but that’s about it. The show was fun, but it had its fair share of flaws. Kaguya also wasn’t my favorite show of the season like I thought it would be, but it was still pretty close despite what I said. All-in-all, I’d say that’s a win.
What were your thoughts on Kaguya? Did the show manage to keep you hooked all the way through or was it a disappointment? Let me hear your thoughts in the comments. If you want to help me out because you enjoy my writing, use my donation button below please. I would appreciate that. Thanks for stopping by and hope to see you around again soon!
As you may recall, I’ve been going through Netflix shows recently. Last time I took a look at B: The Beginning and how I found it to be pretty similar to Psycho-Pass. My primary complaint toward B was that it didn’t focus enough on the cop/mystery side of thing and eventually went too deep into its supernatural elements. While Hero Mask has some science fiction stuff going on, it sticks pretty hard to a Western cop procedural. The question is, did it work?Continue reading “Hero Mask – Heard You Like B: The Beginning…”→