Reviews From Anime to Board Games, and More!
Charlotte, the anime that promised to be the next big thing from Jun Maeda, the mastermind behind many popular anime series, such as Clannad and Angel Beats! While some fans were skeptical about whether the show could live up to the hype, others were excited to see what Maeda had in store for them.
Continue reading “Confessions of a Charlotte Fan”
Before diving into the review, I want to be upfront and say that the publisher sent me a review copy of their game, Saint Maker, so I didn’t pay for this one. You’ll also see that this had no bearing on the actual outcome of the review because I… well, I don’t recommend it sadly. If for some reason you do want to get the game, you can do so over on Steam for $13.99 USD. With that said, let’s jump right into our look at Saint Maker, a horror visual novel by Yangyang mobile. Continue reading “Saint Maker – About 6 Hours too Long…”
Here we are at the end of the mainline Fate reviews. I thought about breaking each film out into its own review, but let’s be realistic, you aren’t going to watch just one of these randomly as that would make no sense. Instead, we are talking about the Heaven’s Feel films as a set. By the title, I hope you could guess that these are well worth watching. If all you wanted was a quick recommendation, well there you go! For those of you who want a little bit more though (and if you have read my Fate retrospective up until now, let’s not kid ourselves, you do), join me as we talk about why I enjoyed these films. Continue reading “Fate/stay night Movie: Heaven’s Feel (1-3) Route 2 – The Best Mainline Fate Since Zero”
Today I am writing to both thank everyone who has ever participated in the Jon’s Creator Showcase as well as bring this era of my community content to a formal close. If you somehow haven’t heard about #TheJCS, you can read about it here. For those of you who have, I am sure this news is somewhat sad but know that in spite of my ending the program, it was well worth starting and something that everyone should be proud to have participated in. This program lasted longer than I ever expected it to, and by no means am I disappointed with it when all’s said and done. Continue reading “Saying Goodbye to the Jon’s Creator Showcase”
For this huge undertaking that has been the Fate franchise retrospective, I’ll admit that Illya was added to the review roster mostly for myself. I don’t actually expect anyone to rush out and see this, regardless of what I have to say, but there was some fun to be had in this Cardcaptor Sakura clone spun Fate. That’s actually a bit reductive. Illya manages to settle into its own thing by the end of the first 10 episodes, but if you aren’t already a Fate fan, there’s not much here for you that other (better) shows of the magical girl genre can offer. Even still, I’m hopeful for what’s yet to come with this one. Want to know more? You’ll just have to read on to find out! Continue reading “Fate/Kaleid Liner Prisma Illya Extra Route 2 – Time to Collect the Clo-, I mean Class Cards!”
To understand why I’m so disappointed with Stone Ocean you have to go back to the beginning. This isn’t my first look at the JoJo franchise, in fact I’ve done a deep dive you should read before this one as it should help to explain why I just didn’t enjoy this latest installment. One of the reasons I caught up on the entire franchise was in preparation for Stone Ocean, which has had considerable hype from the community well before it ever existed in anime form. Now that it has come to an end, I’m sorry to report that it may not be worth your time. Continue reading “Jon’s Bizarre Adventure – Disappointed in Stone Ocean”
When it comes to what I choose to cover here on this website it’s easy to see that there are a few patterns for what I’m partial for. Among these are big retrospective pieces on large franchises, making today’s topic of conversation in the Index, Railgun and Accelerator series long overdue. In fact, I’ve wanted to cover this franchise for several years but always found excuses in watching other programs. Since my Funimation subscription was about to end, this made for an ideal last hurrah for that platform as Crunchyroll didn’t have the full series dubbed (for some reason). With this all out of the way, let’s get on with the main event: is this franchise worth watching? Continue reading “Project Raildex – Worth a Watch for Modern Fans?”
If you read my previous article on Love Live! School Idol Project, then you may be expecting another overly long love letter to its follow up series, Love Live! Sunshine!! If you were, unfortunately, I must disappoint. While Sunshine is fine in a vacuum, unfortunately I have something to compare it to, and as a result, there’s not much to say. Ironically, Sunshine is a cautionary tale about the importance of being yourself. Just too bad it didn’t seem to learn that lesson itself nearly fast enough. A shadow of greatness is still just that, a shadow. Continue reading “Love Live! Sunshine!! – Chasing the Past”
Over the past three years I’ve run a group watch called AniTwitWatches over on Twitter. In that time we watched 20 different shows, had wonderful discussions, and had a pretty good time (well, mostly) along the way too! Today’s article, however, marks the end of this program after season 20, Big Order. I’d like to take this time to explain why we stopped, how Big Order represented the spirit of the program (even if it might seem like a strange note to end on), and whatever related thoughts I may have along the way. This isn’t a typical review, but I will talk about my thoughts on Big Order here so if you want that I’ll section it in a way so you can easily find it. With that, let’s get right to it. Continue reading “Big Finale! – Saying Goodbye to #AnitTwitWatches (Featuring Big Order)”
While author Tsukasa Fushimi has done other, smaller works, he’s mostly known for Oreimo and Eromanga Sensei. I’d go as far as to say that, at least in Oreimo’s case, that the series carries the same kind of cultural weight to the medium that other titles such as Cowboy Bebop or Code Geass have, albeit for those deeper into the medium. This is a bold claim, but the notoriety that his works have is the whole reason I’ve threatened to watch these two titles for some time now. It’s not like Tsukasa Fushimi’s work was positively received in the same way that those other titles were, much less so today, but it would also be completely incorrect to say that they didn’t leave a lasting impact. Now having watched both his flagship works, I couldn’t help but wonder just what’s wrong with onii-chan? Continue reading “What’s Wrong with Onii-chan? – A Look at Tsukasa Fushimi’s Work”
Jon Spencer Reviews 