When it came time to adapt ‘Doctor Sleep’; Stephen King’s sequel novel to ‘The Shining’, Mike Flanagan seemed to be faced with some tough decisions when writing and directing. Not only were King’s original novel and Stanley Kubrick’s 1980 adaptation two different beasts, but they were so dissimilar that the author famously hated Kubrick’s take on his work. However, it seems that Flanagan has succeeded in crafting not only a worthy sequel nearly four decades after the original, yet a movie that seems to work on its own terms (Hey, if it is enough to please the “King”, then I am sure it will work for modern audiences).
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When you first log in to Disney+, one of the first things you will see in the streaming competitor to Netflix’s featured category is their “original” film, ‘Lady and the Tramp’. You may either see it as yet another unnecessary live-action remake of a perfect, well-beloved animated classic, or you may bask in its warmth and glow, as you watch two rescue dogs with mouth movements more animated than Jon Favreau’s remake of ‘The Lion King’ (and voices of Tessa Thompson and Justin Theroux ) trade witticisms, kiss over a candlelit spaghetti dinner, and fall in love yet again.
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For anyone expecting better from Jon Favreau’s remake of Disney’s ‘The Lion King’; no matter how much we would like to see photo-realistic recreations of our favorite animated characters recreate a masterpiece, looks are not everything. As a high-definition remaster, it succeeds in the visual department, yet lacks the heart, emotion, and energy that made the original so beloved in the first place. What was once epic and masterful has been drained of life. You can blame it on the money-milking machine that is Disney for unnecessarily remaking the films we have once held dear in our childhoods, however, as long as audiences clean their wallets for the sake of nostalgia, the studio will not stop until there is nothing left.
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Nostalgia is a precious thing for so many people, and Nickelodeon seems to know it all too well. In recent years, the family-oriented TV studio has followed suit with all the other nostalgic cash-ins, and started rebooting their entertainment for those yearning over a simpler decade when VHS tapes were in and cartoons were entertaining; ‘All That’, ‘Hey Arnold’, and now ‘Rocko’s Modern Life’ in the form of a special called ‘Static Cling’. ‘Static Cling’ is an ode to the nostalgic memories we hold dear as well as a commentary on an ever-changing world we are trying to keep up with.
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Despite this being his ninth picture, ‘Once Upon a Time … in Hollywood’ does not feel like a Quentin Tarantino film. It has all the Tarantino touches, fetishes, and obsessions on display (the excessive profanity, graphic violence, and gratuitous shots of bare feet), but it is the director at his most restrained and mellow; relying more on the glitz, glamour, and nostalgia of 60’s culture. Tarantino has crafted a time capsule I could fully immerse myself in, and the style shows. For once, I felt like I was transported back to a time where the Golden Age of Hollywood was ending and the Manson Murders reached infamy (I didn’t say it was all pleasant).
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Everyone knows Nicolas Cage as one of the most insane actors who has ever lived; able to give an over-the-top performance in the blink of an eye, which not even John Malkovich can be able to top; which is why the lead role in ‘Mandy’ is perfect for him. Though “Mandy” is not the name of his character, but that of his girlfriend (Andrea Riseborough), an artist whose hobbies include being out in the wilderness and turning into a deep and meaningful book. The character of Mandy is also a motivational tool for Cage’s Red to go out for some good old-fashioned bloody revenge when a group of hippie Jesus freaks, led by a Charles Manson-esque figure named Jeremiah Sand (Linus Roache) mess with him and take her from his life.
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You would think that ‘Toy Story 4’ was nothing more than a pointless cash grab, but in the case of this continuation of a sweet conclusion to a trilogy, you would be surprised. ‘Toy Story’ is Pixar’s most beloved and meaningful of its properties. Not only did it put Pixar on the map and pave the way for computer animation to be the new norm, it also manages to appeal to both children and adults. Just the name “Toy Story” alone is enough to bring joy into the hearts of those who hear it being mentioned. To ruin such a beloved trilogy for the sake of money and merchandising is basically a crime against humanity. Thankfully, ‘Toy Story 4’ still has enough heart to keep the franchise alive.
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Two decades have passed and Pokémania is still sweeping the nation. Fads come and go, but this phenomenon shows no signs of slowing down, as long as there are new creatures and worlds to expand. Its popularity only seemed to go strong with the rise of an app called ‘Pokémon Go’, causing many a lazy butt to go outside and a generation of millenials to become social, yet never have we had a live-action ‘Pokémon’ movie until now. ‘Pokémon: Detective Pikachu’ is just as fun as a movie set in this world could be; elevated by great effects and the charm of Ryan Reynolds as the voice of the electric-type creature.
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Ted Bundy was one of the most notorious serial killers in American history, second to Charles Manson, committing a series of grisly murders of thirty plus women in the states of Washington, Oregon, California, Idaho, Florida, Colorado, and Utah. His crimes were described by Judge Edward Cowart as “Extremely wicked, shockingly evil, vile, and the product of design to inflict a high degree of pain”, and he was executed in the Florida State Prison on January 24, 1989. Though he was a despicable human being with no regard of human life, what sort of separated him from other serial killers was how charismatic he was; no other person could take on the persona of Bundy like Zac Efron, an actor with enough charisma to carry a movie, which is exactly what he does in this scatterbrained biopic based on the memoir ‘The Phantom Prince: My Life with Ted Bundy’ by his former girlfriend Elizabeth Kendall (Portrayed by Lily Collins).
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Now that ‘Avengers: Endgame’ has had a good, albeit successful run in theaters for a few weeks, and the spoiler ban has been lifted, I have felt the need to go into detail about ‘Avengers: Endgame’. Being that this review is filled with spoilers, those who still have yet to see this epic conclusion to Marvel’s ‘Infinity Saga’ should turn back and come here afterward; otherwise, you can keep going.
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